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Early Schools · Comparative Canon · Comparative Vinaya — Chinese

Upp Pc 92Robe Size

Pāli / Sanskrit:Sugatacīvara

📖846 words · ~3 min read
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Interpreted by Inti AI (English)
🪷 AI interpretation

Source Status

This entry has been regenerated as an AI interpretation based on the descriptive information: designation Upp Pc 92, Vietnamese title “Kích Thước Y,” English title “Robe Size,” Pali title “Sugatacīvara,” belonging to the Chinese Comparative Vinaya. The truncated end of the Vietnamese text indicates that the content was discussing the size of the robe, moderation in clothing, and the meaning for practice of rules that may seem small in the renunciant life.

The data does not provide the full rule, specific dimensions, units of measure, the original Chinese, or comparison with other traditions. Therefore, the section below does not give numbers, does not confirm technical details, and does not present itself as a source translation. It is only a cautious interpretation from the available data.

Background

The clothing of a renunciant in the Buddhist tradition is not a garment for displaying social status, personal aesthetics, or worldly impression. The robe is a sign of the life of renunciation, reminding the wearer that this body needs only enough protection to practice. Thus, rules concerning robes do not belong merely to the sphere of outward form, but are directly connected with the mental attitude of letting go.

The title “Sugatacīvara” in the descriptive information suggests the robe of the Well-Gone One or a pattern connected with proper standard. However, because the full text is not yet available, this term should not be explained further. What can be said is that the entry “Robe Size” places emphasis on appropriate limits: clothing should not be so large that it becomes an expression of display, nor so small that the body becomes an object of attention.

In Sangha life, relative uniformity in clothing helps reduce comparison, rivalry, and distinctions of wealth and poverty. When clothing follows the standards of the discipline, the practitioner does not need to place much mental energy into choosing, adorning, or presenting himself.

Content That Can Be Determined from the Descriptive Information

From the truncated ending, it can be determined that the interpretation mentions two extremes to avoid: a robe that is too wide may suggest an intention to stand out, arrogance, or a kind of exaggeration of form; a robe that is too tight may cause the body to draw attention, contrary to the purpose of modesty and dignity in the renunciant life. Between these two extremes, the robe should be of moderate size, sufficient to cover the body, convenient for proper deportment, and not become an object of craving or pride.

The passage also says that the details of weaving, sewing, and wearing robes in the Vinaya Pitaka reflect careful attention to monastic life. Because the data does not contain the full text, these details cannot be confirmed in this specific entry, but the general meaning may be preserved: the Vinaya does not only restrain major actions, but also regulates daily habits so that the practitioner’s mind is less distracted.

The truncated section stops at the sentence “This discourse teaches that what is called ‘small’ or ‘...,” showing that the article was moving toward the meaning for practice: small matters of deportment should not be looked down upon.

Meaning for Practice

The rule concerning robe size reminds us that practice is not separate from concrete life. A practitioner does not only meditate, recite, or study doctrine; he also practices in the way he wears clothing, walks and stands, receives requisites, uses the body, and interacts with others. A robe of moderate size can express an inner sufficiency, not seeking to make oneself stand out, and also not being careless to the point of lacking dignity.

For a renunciant, clothing is a means of recollecting the ideal. When putting on the robe, he is reminded that he lives through the faith and support of others. Therefore, simplicity is not merely a personal preference, but a responsibility toward the community. Clothing that focuses too much on appearance can easily make others look at the monastic with worldly eyes; clothing that lacks modesty or proper standard can also diminish respect and faith.

For laypeople, the lesson does not lie in imitating the form of monastic clothing, but in the spirit of contentment. Clothes, houses, possessions, and work tools can all become places where the ego tries to adorn itself. Practice is knowing how to use things according to their proper function, without allowing possessions to pull the mind into comparison, display, or inferiority. Moderation itself is a form of wisdom.

Comparative Note

This entry has not yet been compared with the full text at the source link in the data, so the specific dimensions of the robe, the conditions for a Pacittiya offense, exceptional cases, or technical terminology in the Chinese version cannot be confirmed. When the complete source is available, the rule section should be checked to distinguish what is the main regulation, what is subsidiary explanation, and what is a practical inference.

The present interpretation only reconstructs the general meaning from the descriptive information and the truncated passage, and does not replace a Vinaya Pitaka translation or scholarly commentary.

🌏Why is this sūtra summarized by Inti AI?

🌏 The Buddhist canon is vast — some sūtras (such as comparative Vinaya across schools, or untranslated Tibetan-canon texts) have to this day NEVER been translated into Vietnamese or English by anyone, scholars included. Rather than leave it blank, Inti AI offers a FAITHFUL summary grounded in the tradition — from the sūtra's title, origin and essence — so you can still reach this rare part of the treasury. Whenever an original translation exists, the app shows the original first.

Translation source: Interpreted by AILicense: VI: bản diễn giải AI sinh lại đầy đủ, chờ đối chiếu nguồn gốc · EN: AI translation from Vietnamese source, awaiting source English

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