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Early Schools · Comparative Canon · Comparative Vinaya — Chinese

Lzh Sarv Bu Pm Pc 64Playing

Pāli / Sanskrit:Hasadhamma

📖854 words · ~3 min read
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Interpreted by Inti AI (English)
🪷 AI interpretation

Source Status

This item has been regenerated as an AI interpretation, not a verbatim translation. The available data consists of the code Lzh Sarv Bu Pm Pc 64, the Vietnamese title “Đùa Giỡn,” the English title “Playing,” the Pali title “Hasadhamma,” and its belonging to the Chinese Comparative Vinaya. The truncated ending of the Vietnamese text shows that the previous text discussed dignity, mindfulness, and not relaxing discipline during play or entertainment. Nevertheless, the data does not provide the full source text, has no summary, and has not yet been directly compared. Therefore, details such as the establishment context, specific examples, or the full scope of the rule cannot be affirmed.

Context

The life of one gone forth is directed toward liberation, so every activity is illuminated by mindfulness. This does not mean that practitioners must live heavily or without joy, but rather that joy must be in harmony with brahmacharya. The titles “Đùa Giỡn” and “Playing” show that this item concerns play, joking, or forms of entertainment not suited to the character of one gone forth.

The truncated ending mentions that monastics should maintain dignity and morality at all times. Actions that seem small, if repeated in a heedless mind, can blur wakefulness. This is an important characteristic of Buddhist vinaya: it does not only discipline grave actions, but also regulates habits that draw the mind away from the aim of practice.

Content That Can Be Determined from the Descriptive Information

It can be determined that this item belongs to the comparative vinaya group and is related to playful behavior. The Pali term “Hasadhamma” in the descriptive information suggests the sphere of laughter, amusement, or what has the character of joking, but it should not be overinterpreted without the original wording. The descriptive information does not state the participants, kind of play, location, or detailed degree of penalty. Therefore, the interpretation should remain at the level of principle: one gone forth should avoid forms of play that damage mindfulness, dignity, and the confidence of the community.

The previous ending stated that there is a distinction between activities beneficial to practice and activities that may lead to decline in conduct. This is an important point. Not every form of rest is blameworthy; body and mind need to be balanced so that practice can be sustained. But when rest turns into heedlessness, when laughter is accompanied by forgetfulness, when games give rise to greed, anger, competition, or display, then they run contrary to the ideal of brahmacharya.

This item is also related to the image of the Sangha. One gone forth lives under the gaze of many people, not in order to seek reputation, but because such a life functions as a place of spiritual refuge. If playful behavior causes others to lose confidence, see virtue as being taken lightly, or misunderstand the purpose of going forth, then the harm extends beyond the individual who plays.

Meaning for Practice

The first meaning for practice is recognizing heedlessness. Heedlessness does not necessarily appear in the form of major wrongdoing; it often begins with permitting oneself to forget the aim. A little immoderate joking, a little seeking amusement by causing disturbance, a little competition in play, if not illuminated, can accustom the mind to distraction. The discipline reminds practitioners to return to wakefulness even in ordinary activities.

For one gone forth, true joy is not forbidden, but it needs to be purified. The joy of studying Dharma, of meditation practice, of harmonious living, of contentment, differs from joy based on stimulation and heedlessness. The more peaceful the mind becomes, the less it needs amusements that agitate body and mind. Dignity is not a stern facial expression, but the ability not to be carried away by the desire for entertainment lacking wakefulness.

For laypeople, this item also serves as a warning. Modern life creates countless means of diversion. Not all are bad, but without mindfulness, people easily allow their time, energy, and capacity for wakefulness to be consumed. Learning from the spirit of this item, lay practitioners may ask: does this form of amusement nourish clarity, does it harm anyone, does it increase attachment, agitation, or distraction in the mind? Such questioning helps entertainment become something governed by wisdom.

This item also teaches dignity within community. A person who knows how to restrain oneself does not make the atmosphere heavy; on the contrary, such a person brings trust. When each member knows the limits of speech, gesture, and amusement, a community of practice can be both warm and serious.

Comparative Note

There is not yet a full source text for comparison. One should not add chapter names, persons, circumstances, or specific kinds of games beyond the descriptive information. When comparison is made, the Chinese original, the term corresponding to “playing,” the scope of the behavior restrained, the classification of the fault, and any permitted cases should be checked. The content above is only an AI interpretation based on the data provided and the truncated ending, intended to recreate a complete Vietnamese text in a careful way without pretending to be the original translation.

🌏Why is this sūtra summarized by Inti AI?

🌏 The Buddhist canon is vast — some sūtras (such as comparative Vinaya across schools, or untranslated Tibetan-canon texts) have to this day NEVER been translated into Vietnamese or English by anyone, scholars included. Rather than leave it blank, Inti AI offers a FAITHFUL summary grounded in the tradition — from the sūtra's title, origin and essence — so you can still reach this rare part of the treasury. Whenever an original translation exists, the app shows the original first.

Translation source: Interpreted by AILicense: CC0-1.0 (Sujato) · personal-use (Minh Châu) · VI: bản diễn giải AI sinh lại đầy đủ, chờ đối chiếu nguồn gốc · EN: AI translation from Vietnamese source, awaiting source English

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