Lzh Mi Bi Vb Pc 183Singing

THE SUTTA ON SINGING (GĪTA)

Background

This rule is found in the Vinaya Piṭaka, specifically in the Pātimokkha section of the Pācittiya rules, offenses requiring confession. These are detailed rules guiding the pure life of bhikkhus and bhikkhunīs according to the Theravāda tradition.

In the historical context of early Buddhism, in the time of the Buddha Gotama, early disciples sometimes tended to relax their discipline. Some might sing, set Dharma teachings to music, or use singing as a form of entertainment. The Buddha saw that this was contrary to the nature of the life of practice and decided to establish a specific rule.

The rule on singing was recorded in order to protect attentive concentration (sammā-samādhi) and maintain the purity of the Sangha community. This is not because music is bad in itself, but because it can draw the mind into infatuation and sensual desire, which are major obstacles in practice.

Main Content

According to the Pātimokkha, a bhikkhu should not sing in a way that arouses infatuation or attraction, especially songs with words that stimulate sensual desire or entertainment. If this is violated, it is considered a Pācittiya, an offense requiring confession before the Sangha community.

This rule teaches that singing is not absolutely forbidden. For example, chanting scriptures or reciting mantras in a solemn manner is permitted. However, singing with the intention of entertainment, infatuation, or attracting others is contrary to the vow of one gone forth.

This rule is also related to moral conduct (sīla) and purity of intention (cetanā). Its purpose is to help bhikkhus maintain mindfulness and avoid actions that can degrade the mind. The Buddha regarded guarding the indriyas, the sense faculties, as an important factor on the path to liberation.

Practical Meaning

Although this rule was written for monastics, it offers a profound lesson for all who seek inner stillness.